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I think the badness of the track only helped it’s popularity. We had an edit that scrambled the “F” word. One Night In New York was number 1 in Germany’s dance list but they didn’t want to play it on the radio in the UK, would you change the lyrics to radio friendly thinking back about it or rather stay true to your lyrics like you did to give your vision into the world, from your point of expression? Which bands or artists have affected you the most so far?įront 242, DAF, Depeche Mode, Leonard Cohen and Haus Arafna. Eventually they just started calling me The Horrorist. Basically I would go there at 6:00AM and drive everyone crazy. It was a pretty disturbing place where you could buy cocaine at the bar. The name was actually given to me at an after-hours bar in NYC. How did you came up with the name The Horrorist? The release aptly titled 'The Virus 2004' included remixes by Longy, DJ Falk & Plasma Beat and Fritz Laurent. Later, in 2004 another German label Robot Traxx released newer remixes of The Virus.
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Some of the producers and DJs who contributed remixes include Ben Sims, Northern Lite, Citizen Art and Zeil 100. Initially there were two different 12' vinyl releases each with different remixes for The Virus on the German label a45 (a division of Edel Music). He creates a virus and then unleashes it to destroy the world. The lyrics tell the story of a young man who was bullied throughout his life and later becomes addicted to drugs. 'The Virus' is an upbeat, hardpumping track that describes what can happen 'when people do evil things'. In the story a man named Rod Valenta complained, 'completely unacceptable for free-to-air television, especially during a weekend when children can view this damaging material'. On 10th February 2002 The New Zealand Herald ran a story detailing how the Broadcasting Standards Authority banned the music video from airing again on TVNZ (Television New Zealand). For several weeks the video had B-rotation play on MTV and Viva (TV station) in Germany and The Netherlands. It was directed by Nils Tim and shot in New York City at The Limelight Club and live footage was shot in Frankfurt, Germany at the U60311 nightclub. Warner Music hired German firm Oktonet to produce the music video. Some of the producers and DJs who contributed remixes include Chris Liebing, Pascal FEOS, Ricardo Villalobosand Orlando Voorn. love it hate it, you will certainly know when you've heard it.' There were many 12' remix singles released for the song on several different record labels including Warner Music, Sony Music Entertainment, Superstar Recordings, CLR Recordings, A1 Records and Captivating Sounds. In May 2001 for UK magazine MixMag, Pete Tong reviewed 'One Night in NYC' and said, 'Big records demand your attention, and this is bound to get yours.
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The single hit No.1 on the Deutsche Dance Charts the first week of January 2001. It's a scary downbeat track and what is described in the lyrics could happen each and every night year round, a notion that makes the track even eerier. 'One Night in NYC' describes the experiences of a young innocent suburban girl during a night in New York City. The album had four singles associated with it: 'One Night in NYC', 'Flesh is the Fever', 'The Virus' and 'Mission Ecstasy'. 1 on the Deutsche (German) Alternative Chart on 1st October 2004. On 30th August 2004 the album was re-released on Out of Line Music with a bonus disc containing an additional nine songs. The Horrorist), giving the album a feel of being auto-biographic. The album features, what sounds like, actual samples of the answering machine of Oliver Chesler (aka. The 2001 release 'Manic Panic' contains tracks that describe some aspects of life in New York City, or any major (Western) metropolis. British music critic Simon Reynolds once proclaimed, 'My favourite contemporary American singer-songwriter is Oliver Chesler, a/k/a The Horrorist.' He is the owner of the Things to Come Records. The Horrorist, is an American electronic music artist from New York City.